Project Description
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IL MASTER
L’obiettivo del Master in Character Animation è quello di guidare gli studenti nel loro percorso didattico, fino a farli diventare professionisti nel campo della CG e dell’animazione 3D, rivolta al Cinema. Il Master si struttura attraverso una serie di argomenti teorici, ma soprattutto pratici, partendo dal disegno tradizionale, allo storyboard, al 3D e all’animazione. Gli insegnanti guideranno ogni studente attraverso tutto il processo di sviluppo, la recitazione dei Characters, la scelta dell’audio, la composizione della scena, l’individuazione delle pose chiave, fino al render finale. Massimizzando le abilità, seguendo passo dopo passo la crescita dello studente e la passione per il mondo dell’animazione, si arriverà alla fine del percorso di studi, alla creazione di uno showreel personale e di un cortometraggio di animazione.
SOFTWARE SKILLS
- Maya
- Zbrush
- Character Sculpting
- Adobe Premiere
- Adobe After Effects
SBOCCHI PROFESSIONALI
- Aziende post produzione video, VFX
- Pre-produzione video
- Software house sviluppo videogiochi
- Asset per produzione
- Animazione 3D
GALLERY
DETTAGLIO DEI CORSI
Maya
- Introduction to Maya
- Base Modeling
- Polygonal Modeling Tools
- Deformers
- Good Topology and Model Optimization
- Modular Modeling
- Hard Surface Character Modeling
- UV Mapping in Maya
- Low Poly vs High Poly
- Smoothing Groups
- Shaders Settings
- Texture Maps Introduction
- Texture Baking in Maya
- Composition and Color Theory
- Lighting System Fundamentals
- Shading
- Rendering
Photoshop
- Introduction to Photoshop
- Correction Layers, Masks, Level Masks
- Alpha channel
- Photo Retouching
- Texturing in Photoshop
- Textures Tiling
- Photobashing
- Mattepainting Basics
Substance Painter
- Introduction to Substance Painter
- Introduction to PBR System
- Texture Baking in Substance Painter
- Layers and Smart Masks
Zbrush
- Introduction to ZBrush
- Basics Sculpting Tools
- Sculpting in Dynamesh
Unreal Engine
- Level design e modular modeling
- Textures and materials for Production
- Baking and Precalculation method of the lights
- Real time shaders techniques
- Creating maps for physical based shading: albedo, roughness, metallicness
- Normal mapping
- Unreal Material Editor
- Unreal Blueprint fundamentals
- Finalize the scene in UDK
Maya
- Polygons Modeling organic + Zbrush e Character Modeling, UV Mapping in Maya
- Modeling and sculpting process using Maya e Zbrush
- Maya, in-depth analyses , Arnold Render, Render Pass
- Arnold shaders, study of the main shaders and interaction in production
- Lighting Tips perfor architecture, interior and exterior
- Design of architectural environment
- Lighting process for photorealistic rendering
- Lighting Tips ans shading per Automotive e post-production
- Render and Compositing – Nuke, Introduction
- Lighting Setup Environment e Character (from Zbrush to Maya)
- ADV Character Rigging in Maya and objs setup
- Mel/Python Script – Mattepainting e Camera Mapping
- Visual FX, Particle e Fluids
- Maya FX – Camera Tracking
Zbrush & Character Sculpiting
- Base Modeling, Brushes, Zspheres, Dynamesh
- Topology Brush, Zremesher, Retopology, Decimation Master
- Insert Mesh, Brushes creation using Photoshop and 3D Brush in Maya
- Create archive geometries for complex objects and characters definition
- UV mapping process, painting, export normal and displacement map – Lighing, Rendering
Maya Animation
- Character Animation for games
- Walking cycles, Running cycles, Overlapping, Follow through
- Stretch and squash, Arcs, curves, graph editor, blocking
- Inbetweening and Polishing, Extremes and breakdowns
- How do Timing and spacing effetc actions
- Framing and camera movementsring
Texturing
- Retouch and advanced tools
- Photoshop for texturing and Lookdev
- Photoshop for Mattepainting/Environment
- Substance Painter
- Quixel Suite
Unreal Engine
- Low Poly vs Hi Poly
- Level design e modular modeling
- Textures and materials for next-gen games
- Importing in UDK
- Kismet: Scripting in UDK
- FX for VideoGames, Particle Effects
- Baking and Precalculation method of the lights
- Finalize the scene in UDK
- After effects, Real-time and Compositing
Maya Programming & Rig:
- Mel Scripting
- Python Scripting
- Mel+Python Scripting Interface (GUI compositing)
- Mel Scripting for Base Rigging
- Mel Scripting for Advanced Rigging
- Mel+Python Advanced Procedure
- Rigging: human Animal Creature + Wings
- Facial Rigging
- Rigging Muscle System (ARM/LEG)
VFX 2
- Particle Base (parte 02)
- Particle Advanced
- Fluids Dynamics
- Real Flow (Fluids)
- Houdini (VFX)
Maya Animation 2
- Character Animation for games 2
- Advanced Animation
- Facial Animation
- Recitazione Complessa
Zbrush & Character Sculpiting 2
- Character Sculpting 2
- Anatomy for Sculptor
- Texture for Sculptor
- Lighting and Rendering for Character Compositing
Lighting e Compositing
- Light+Comp 2
- After Effects Compositing e color correction
- Nuke, Maya Rendering e Color Correction 2
